Framing Tells Half The Story


I was late to a live acoustic music show at a little coffee shop, and I found a seat somewhat removed from the other patrons and the band. During the performance, I happened to glance over to my left, and that's when I saw her, absentmindedly playing with her hair, soaking in the music, with the late afternoon light from the window subtly illuminating her from behind. Instantly smitten, I turned my lens towards her, carefully composed the shot and clicked.
I am a big fan of shooting from the hip, but for this photo, I was very intentional about the way I arranged the visual elements of the image. I wanted the viewer to know that I was at a distance from the subject, that most likely she was a stranger, and by framing the shot within an actual environmental border (the dark outline of the wall on the left, the top of a chair below, and the gentleman on the right), there is a sense that I, the photographer, am looking in from the outside.
In post-processing, I actually considered cropping out the dark borders to zoom in more on the subject. Doing so, however, didn't tell the story I wanted to convey--namely, that this was one of those random encounters with beauty that I often observe admiringly from a distance, hesitant to get any closer for fear that detection of my presence would chase the moment away. I was glad that I composed the shot as intentionally as I did, because in this case, the framing really does tell half the story, at least for me.
How have you used framing to tell your story? Have you ever framed your subjects in borders already present in the environment? Please share with us your images and any tips you may have for framing.
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And come back tomorrow when we announce the new word for our One Word Project for August!