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Entries in classes (15)

Tuesday
Oct022012

comfort (zone)

Note to Self:
Focus on the light
When life is hard, pick up your camera
When days are joyful, pick up your camera
Every now and then try moving towards what scares you
Stretch your comfort zone, artistically ~ metaphysically ~ literally
Trust the process; no matter where it takes you, and remind those around you that they are loved.

I tend to turn things over in my hands and in my mind... I want to explore all perspectives. I want to touch all the seams: how we come together and how we fray apart. In doing so, I search for my humanness and our similarities; through this process, I find compassion and self care.  I do this through writing but mostly through self portraiture.

What is your comfort? Are you willing to ever step outside of that comfort zone? Even just once? Today share an image of "comfort"... food, self, weather... it's different for each of us! For me, my comfort is always embracing my camera shyness and the ever present reminder of why I started down the path of self portraits in the first place. It's taken many years, but I'm happy to say that my comfort is my self. 

. . . . . . . .

Registration is now open for NOW YOU Workshops :: Digging Deeper 
(a six week online eCourse offered by Meredith Winn & Kristin Zecchinelli)
find out more details here, and register early before this next class sells out!

Wednesday
Mar072012

How to Live

Having come to the hopefully, middle of my life, the question of How to Live? has never loomed larger. In fact, it has bubbled up from within me this 47th year of my life not as a whisper or a nudge, but as a volcano/tsunami/earthquake/tumbling end-over-end-in-deep-space-without-the-astronaut-rope-to-the-mother-ship, that has left me feeling deeply disoriented, spiritually bankrupt, and quite frankly, in an anguishing pain.

A life-long hater of all things cigarettes, I actually bought a pack one day recently, thinking I should take up smoking. I have nearly gone insane from emotional pain in the last 10 months with the last 3 months being particularly horrendous. And I mean literally insane.

I have spent roughly the last 30 years working on myself. In that time, through hard work, a variety of therapies and spiritual work, I gratefully managed to have broken the cycle of violence, addiction and aggression in myself that is my family tree. And yet here I am, wondering if there is any Thing or One or Power out there in the universe who cares personally about my life and my existence.

I have developed an intimate relationship with Despair this year. I believe this is what the philosophers officially call an Existential Crisis.

Other people would probably just say I need to buck up, get over it, forget the recent past, and move on. And maybe I do need to do all those things. But telling someone who is grieving, lost, desperate, emptied out of things they knew, is like telling a pig to fly. Sometimes, the spiritual practice we have cultivated or had for many years ceases to be effective. We find ourselves simply unable to go on the way we have been. We crave comfort for the blows we have received. We want respite from the torture of heart and mind. We crave wholeness. We wish we could laugh like we did in the old days.

I know enough not to strike out to try and make myself feel better. Staying still and quiet can sometimes feel like you are turning an ocean liner on a dime. It is a Herculean effort and one that awakens me each night at 3.30 am. I often feel I can find no way out of the emptiness and betrayal and injustice of it all.

What I am describing is the lesson I am learning at mid-life which is how to accept life on life’s terms. To surrender to the way things have gone, which is not to say I agree or like them, or think some people have treated me decently, but rather to say, the question of How to Live? begins with surrender and acceptance. These are not easy things for me. I kick and scream and cry and wail. I feel as if I will die.

There are things going on in my life right now that I have no idea how to accept. They are too big, too unfair, too upsetting. They turn my stomach to acid and upset me so much I usually make a sound out loud.

I’d like to share with you one of two things I have discovered as a way through the process of grief, loss, being emptied out, disoriented, betrayal, being lied too, humiliated…. whatever your particular heart pain is, and toward acceptance and serenity (the other one is for another post another time!).

You are either holding it in your hand, on your lap, or staring into it right now. It is your camera phone and your computer.

Bet you didn’t expect that right?!

Well, neither did I.

Here’s what I have found: Our refuge lies in our ability to express ourselves and in our ability to lose ourselves in the world around us.

Every day now, I go out into the world with my iPhone and look at people and light and the environment. I have found that walking is one of the only things that soothes my pain. So I have been walking all over NYC taking pictures. Sometimes I am out there for hours and hours. Well, actually, I am usually  out there for hours and hours! (I recently had to get a bigger external hard drive to store all my photos) I don’t know if it’s because I am getting older, or just my particular state these days, but the quality of light has been indescribably beautiful to me at certain times of day.

When I take photos with my iPhone, I am absorbed into the act of looking and seeing and therefore forget about my pain and myself. It is the most magical occurrence. I lose track of time and feel a reprieve unlike any I have known. The world goes on even though I often feel I cannot. The human condition is right there in front of me. The colors and gestures and surprises that catch my eye deliver me. My perspective is literally changed—it’s expanded, softened, and moves into a sort of hope. Which is another way to say I have received a little bit of acceptance and serenity from my camera and the act of looking.

As I write this, it has been 10 days since I had to put the love of my life, my 14-year-old dog, Rumi, down. She had been failing in health for a couple months and when her quality of life crossed a certain threshold, I didn’t want her to feel one more ounce of suffering. She was put down at home, I held her in my arms, and she was surrounded by four exceptional, gentle, women who cried along with me and helped me function afterwards. I have been deeply affected by her death, and had to leave my apartment in the days after, her absence was so enormous and felt like the last straw in a string of deep losses. 

It’s sometimes the right thing to get on a plane and fly to the sun and beach, which is what I did.

The reason I tell you this about my sweet dog, is because the day after she died, I woke up and went to get her food out of the fridge like I have for all those years and realized she wasn’t here anymore and that I would never be able to see her or kiss her or hold her again. I had no idea how to manage my feelings. I was choking I was crying so hard—and then I heard this voice inside that said, Write to her.

So, being the Moleskine hoarder that I am, I walked over to my desk and opened a brand new one and began in my favorite black marker, Dear Rumi, I miss you so much… It’s been years since I hand wrote in a journal, but I have written to her every day since she left and I feel so close to her. My point here is not the Moleskine. My point is the writing. The pouring out of feelings to someone you think will listen and who loves you so much and never wants you to hurt. We simply cannot bear these things alone.

We are never lost to ourselves when we take refuge in our creative expression. There is deep comfort to be felt there.

All this is to say, I hope you will join Tracey Clark and I for our month-long photography course, Two Takes which is about using photography to support, sustain, and comfort you in your life.

Which, for me, is another way to say, How to Live?

Images and words from photographer and writer Bindu Wiles. You can find more about Bindu on her blog or find her on Instagram @binduwiles.

Share with us today the image(s) in which you have found refuge and you'll be entered to win a random drawing for a complementary registration for Two Takes. Leave your comment by midnight EST 3/8. The winner will be announced on Friday 3/9.

Thursday
Jan052012

hello soul hello business

Sometimes I forget what it was like way back when; when I was bright eyed and bushy tailed, just out of college, eager to begin a creative career. I had no idea what it was going to be, but I knew it was going to be awesome. Seriously. I had NO idea. Not exactly the kind of thing a father wants to hear from his new college grad but I didn’t doubt it for a second. I knew that I would forge out a creative career for myself; somehow, some way , doing something I loved.

I found photography. Or maybe photography found me. I’m not sure which.

But it could have been anything I suppose. I was open. I only had a few simple (yet imperative) criteria. It had to be something that I was passionate about, something that coaxed out my most creative self and allowed me to be me.

Fast forward to now and my path from there to here might sound enchanted. I won’t deny that there was a little of that along the way but for the most part it took a lot. A lot of work. A lot of learning. A lot of time. A lot of perseverance. A lot.

Way back then, there wasn’t the internet the way it is today. There weren’t ways to find the other people in the world that were trying to do the same thing I wanted to do, the same way I wanted to do it. It made it that much more difficult and often that more isolating.

Enter the splendor of the World Wide Web! We are alone no more! I cannot even imagine what my path would have looked like if I had the bounty of creative resources that there are today. Communities, classes, websites, women, inspiration, encouragement, support…the list goes on and on. And it’s bright and shiny and full of beautiful potential!

If you are uncovering and discovering your creative bliss—whatever it may be—I want to encourage you to take full advantage of all the amazing offerings that are out there, right at our finger tips. Leap. Learn. Launch. Run. Jump. Fly. Just go for it! You’ve got nothing to lose. It’s never too early or too late to become an entrepreneur; to pave your way as successful creative, making money doing what you love.

The new e-course by Kelly Rae Roberts and Beth Nichols, Hello Soul Hello Business is exactly the kind of opportunity I wished I had way back when I was starting out. Two incredibly enthusiastic, crazy talented, and business savvy women willing to spill the beans on all the stuff I wanted and needed to know. I may not have had them then, but I have them now and all I have to say is let the revolution begin!

Share with us what you’re excited about this year? Are you taking a leap? We can’t wait to hear all about your awesome plans! Hello 2012! And if you choose to start your year with Hello Soul Hello Business, I'll see you there.

Wednesday
May252011

ablazed with color

Color is everywhere! Have you noticed? Have you captured it through your lens? My guess is you have. It's that time of year after all when the world is waking from the last few months of cool slumber.

In honor of the season and all things colorful, we are giving away 2 complimentary class registrations to Picture Color. Leave a comment here between now and Friday, 5/27 at midnight EST to be entered in a random drawing. And for another chance to win, visit Mortal Muses. Those girls rock! Oh, and the gals at Write.Click.Scrapbook? Yep, they are awesome too and are giving away some Picture Color spots in the next few days so head over there too! See what I mean? Color IS everywhere!

And with that in mind, let us celebrate the coming colors together. Show us blazing, beautiful color today!

Thursday
May192011

The Six Questions featuring Jesse Freidin

 

Photographer Jesse Freidin isn't just your average shutter brother. In fact, he's top dog. Literally. Jesse's unique style of dog photography has earned him critical acclaim and the praises of photography buffs and dog lovers everywhere. I mean, what's not to love? From his Doggie Gaga project to his latest photo workshop with the Impossible Project, Jesse is full of great ideas and awesome images!

We are thrilled to have him here answering our Six Questions. In Jesse's case, he opted to answer a few more for us. What guy! 

1. What's the story behind this photo?

This is one of my favorite images from my current Impossible Dog Series, which is created completely on The Impossible Project’s new instant films. I walk my own dog down this stair case every day on the way to the dog park, and have been dying for an excuse to photograph there- the light and texture is dreamy.


2. What was it that lit your photography spark? Do you remember a particular camera, course, person, roll of film?

I’ve been enthralled with creating instant images since I was little- borrowing my parent’s Polaroid and secretly wasting their film when they weren’t looking. But it wasn’t until I bought my first beat up old Polaroid Land Camera during my first year of college that my brain totally exploded. I remember peeling that first black/white peel-apart Polaroid and feeling my heart literally skip a beat. I had created something with this temperamental plastic camera that perfectly matched the image in my head. And it was beautiful and imperfect. From that second forward nothing has brought me more extreme joy than photographing. It is a need. It is a creative addiction.


3. What's your photo philosophy? Does it reflect your life philosophy?

A good question… Though I’m known for my work with animals, I do a fair amount of human portrait work (mostly for my personal portfolio) on the side. Yet my approach is always the same- there needs to be a connection between you and your subject, and within that connection there needs to be a string of emotion. In my head, that emotional string (it looks like red yarn in my mind… don’t ask why) connects the heart/mind of the photographer, runs through the camera, and attaches to the heart/mind of the subject. The photographer needs to open himself up to the experience of the image in order to create an authentic photograph. I’d like to say that this is how I live my everyday life as well, but it always seems easier to do when I have a camera in front of my face.

4. Where do you look for inspiration?

I feel inspired by watching people connect with their animal companions, and I feel inspired standing in the middle of a field in the middle of nowhere. I love taking myself to museums and wandering around, and building my photography book collection. I get a lot of inspiration from other photographers, musicians, film makers who push the limits of their field.


5. What would you say is one of your 'signature' editing tricks, themes or

style? What do you think makes an image recognizable and uniquely yours?

I use a 1970s Hasselblad, black/white 120 film, hand process all my negatives, print all my photographs by hand in my darkroom, cut all my own archival matts and frames, and make sure each piece that leaves the studio is signed and perfect. Start to finish I am creating my prints with my hands, and staying true to the craft of traditional photography. I guess I’m just stubborn, but I want to create the most intensely beautiful photographs I possibly can for my clients. And to me- a warmly printed photograph on the highest quality fiber based paper is the epitome of magical. I think I’m one of the last photographers using this method on the West Coast- maybe the country. I’ll continue printing this way until I cannot get supplies. Or pass out from chemistry inhalation. Whichever comes first.


6. What aspect of your photography are you constantly working on, trying to improve?

I’m not much of a gear-head, and never know what the newest lens is or who has the best pixelthings. But I’m always striving to learn from other experienced photographers, go to seminars or exhibits, and learn how to continue to stay dynamic. Also, I wish I was better at talking while photographing. But that one’s hard to practice.

 
7. If you could go anywhere in the world for an epic, week long photo excursion all by your luxuriously unhurried self - regardless of money, time or childcare issues - where would you go and why?

I drove across Rt. 66 years ago when I moved from the East Coast to California. I’d give anything to do that trip again, with 37 cameras in town. The desolation and color and space and light was just so inspiring.


8. Are there women out there that you consider your shutter sisters? Who, and why?

Annie Leibovitz and Diane Arbus are two of my top favorite photographers, and always have been. I think they are spiritual ‘shutter sisters.’ I could maybe be their ‘shutter brother.’

To learn more about Jesse and his work, visit his website and for more info about The Impossible Dog Portrait workshop at The Impossible Project Space in NY, check out this blog post. Rumor has it he has only a few spots left so if you want to attend be sure to sign up right away.

Let's give a big sisterly nod to Jesse, his imagery and the love of our creature companions by sharing our pet portraits today! Woof!