On finding your own way

 

In my bio you won’t find the words “I’ve had a camera in my hand since I was a child.” You won’t find the words “I’ve been an artist all my life.”

Because I haven’t.

At school I couldn’t draw or paint or stitch and if you’d asked me three years ago, when I was still working as a stockbroker, I would have told you that I wasn’t creative in the slightest. So when I decided, at the age of 32, to quit my job and go to art school to study photography it was as much of a surprise to me as it was to everyone around me.

But something was calling to me. Quietly at first, and then insistently. I was being drawn towards something that I couldn’t yet understand.

I adored being an art student, but I felt like a fraud. Still, I would try my best and hope for the extraordinary to happen. And happen it did.

One day, while sitting in the library pouring over late 19th century children’s book illustrations and lamenting my lack of ability to produce anything as wonderful, I began to wonder if I could create my own “photo illustrations.” Why couldn’t I use my camera to tell imaginary stories? Stories that had no beginning or end, but just a middle. Just a moment frozen in time, leaving the viewer to put the story in context, to create their own story.

This was the moment my series, “Tales from the Moors Country,” came into being. I took as my starting point the local myths and legends of Northern England and I created a series of silent and still stories that I submitted as my final portfolio piece.

They were all self portraits because I found that I just worked better when there was no one else around. Something I’d been waiting my whole life to share was finding its way to the surface and I couldn’t explain it to anyone else. But, more than that, I didn’t want to share it. It was such an incredible release of energy and I wanted to absorb every second of it.

Although my tutors found the work fascinating, I really think that they didn’t know what to do with me. No one could give me any advice on what to do with my work beyond suggesting I might try fashion photography, which was not an avenue I felt confident pursuing.

So I just started selling prints of my work at a local artists market. And then I added a line of greetings cards. Uplifted by the joy of seeing people respond to my work, I gained confidence and approached some local galleries. Then I tried entering some juried shows. And now, before I really know how it happened, I am a self portrait photographer.

That’s not something that any school careers counsellor would have recommended and it’s not something I could have chosen for myself when I quit my financial services career. It’s one of those magical things that happens when you just let go and allow the story to have an ending you didn’t envision.

So believe in happy endings. Believe in magic. Believe in hard work, dedication and the delicious joy of finding that thing you can’t not do. Believe in your dream. Because If a hopeless “non-creative” like me can find her own way, then I promise you, so can you.

Let's all share images today that remind us to believe in all these things and more....

Words and images courtesy of special guest Nicola Taylor. She can be found at www.nicolataylorphotographer.com, on Facebook, and on Twitter as @ZennicPhoto

the six questions with Sarah Louette

We are delighted today to share some questions and answers from emerging French photographer Sarah Louette.  In her words her images “aim at mirroring the feelings and emotions that lie deep in ourselves. Bliss, innocence, greed, hope and despair.”  And her inspiration comes from her “readings” and her own “reveries.” Love that!

Her images are breathtaking and it’s an honor to share with you her answers to our burning questions:

1. What's the story behind this photo?
I was on a family day out. The weather was fine and I wanted to show a shooting session to my sons. I initially wanted to take a picture with lots of accessories and colors, but when I parked the car, I noticed the way in this green field that looked so photogenic! I took my camera and gave it a try with the timer and my umbrella.

There are many birds of prey in the fields of my region, and one of them chose to pay us a visit. I took a picture of it. Later, I layered the two pictures to re-create that magical atmosphere our daily walks can have.

2. What was it that lit your photography spark? Do you remember a particular camera, course, person, roll of film?
I've always been attracted to visual arts, but fine art photography seemed a bit out of the reach. Digital photography changed it all, because you could try new things, get it wrong and then try again without worrying about the price of the film. To me, this is an Art revolution that allowed everybody to open the doors of creativity. I remember I bought my first digital camera with a reverent bliss and I immediately used it as an artistic medium. This first camera was very basic but it became a marvelous companion.

3. What's your photo philosophy? Does it reflect your life philosophy?

This question is a good one because it makes me ponder my artwork. When I take a photo, I tend to recreate a dream. I visualize a kind of fairy-tale scene, something that can exist but that we barely do or see. It's not surrealistic nor realistic, it's a beautiful reality.

In my daily life, I want to live fully in the real world but without being held captive by my environment. I wouldn't define myself as a dreamer, but I'm a very idealistic person who believes in creating her own life.  My Art probably unveils my aspirations for creating beauty. 

4. Where do you look for inspiration? 
I think inspiration is a fascinating interaction between our dreams and reality. In my case, it comes like a vision. I see a picture and I try to recreate it in order to give it birth.

In my latest series though, I realized the power of the translation of my imagination. For instance, one of my images "the Shelter" was clearly inspired by Stephen King, and another one "Dancing in the Stains" by... Snow white!

5. What would you say is one of your 'signature' editing tricks, themes or style? What do you think makes an image recognizable and uniquely yours?

That's hard for me to be objective with my work.  I don't want to stick to a certain kind of picture, because creativity suffers from these artificial boxes.  Bur, our identity is always present, as long as we're true to ourselves.

At the moment, I'm quite obsessed by the silhouettes and the effects on colours and I can see painting is another one of my inspirations. If you, the viewer recognize that I have my own unique style, of course, that would be a wonderful compliment. 

6. What aspect of your photography are you constantly working on, trying to improve?

My initial focus tends to be on colours. What I am trying to improve on is my ability to sense pure and striking shapes. I think beauty is universal. It's a harmony that everyone can read. The real challenge is having the ability to write it.

7. If you could go anywhere in the world for an epic, weeklong photo excursion all by your luxuriously unhurried self - regardless of money, time or childcare issues - where would you go and why? 
I would go to South America. I have travelled in many countries in the world, but for me, it is the ultimate destination. Besides the fascinating cultures and landscapes, that's one of my very first child dreams. Being there would mean discovering a world apart and meeting an aspect of myself I would like to share again. That's how it goes, you also travel to meet your dreams. In travelling and creating, the process is often very similar.

8. Are there women out there that you consider your shutter sisters? Who, and why?

 I'd say the women of family. Without being artists, they all had a link to visual arts and they all are an inspiration to me. Each photo I take is a present I give them.

...........

If you'd like to share a dreamy image with us, or just share a comment with Sarah, we'd love to hear from you.

For more on the Sarah Louette and her exquisite work, visit her website, check out Subconscious Photography or say bon jour on facebook.

Prompted

You don’t see it right away, but it’s there. The straw in its mouth, the one it must gather for home; for the nest. It symbolizes a continues gathering until woven pieces can finally hold things together. It is an amazing labor of love. It is much like our work in everything we care for. We labor with love and gather what is needed for the home, for our nest. The home where we live in, with its kitchen and rooms, and the home in our hearts; the place where we gather strength and courage; the place where we gather our dreams and make them real.

What is curious about this moment is its pause. I was witness to it; it was a pretty long one. This maya bird took a moment to perhaps gather its breath; as if to take whatever was in sight all in. A little bird marveling at the world.

I watch these birds every morning now. They teach me how to pause, to breathe, and take in a bit of the world outside my window. I feel like a little bird marveling at the world. There is work to be done, but I shall marvel at the world.

The beautiful, beautiful gift that photography has given me is a voice. A voice for the words in my heart. I think I kept on looking for a way to find a place for all that. I knew I could write, but I wasn’t sure what I could give to the world. I knew I needed to give back something and I thought, why would the world be interested in my love letters? And then it stretches further to, why would the world be interested in my confusion and heart ache? How would the world benefit from all that? I couldn’t figure it out until there were these ‘prompts’ – you take a photo based on a concept, a word, and you could write about it if you want, or leave it to speak for itself. I am drawn to writing about it because when I capture something, I am certainly capturing a moment. And most of the time I like to paint that moment with words, too. What I have realized is that every moment contains a gift. Yes, every moment. Can you imagine how many gifts there are? Certainly enough to give back to the world.

‘Prompts’ are like inspiration, except I think when we just rely on inspiration, we tend to wait for it to come. That’s fine, but we shouldn’t just wait. And wait. And wait. Because maybe we don’t even know what exactly we’re waiting for; a magic feeling? Pixie dust? Nah. It doesn’t really work that way. I think we have to commit to something. It doesn’t even have to be big. So, if you’re prompted, let’s say with a word, you’re given a direction; a kind of path to follow, a way for your eyes to see or find something that’s already there. Somehow inspiration is everywhere; all you have to do is capture it. *insert magic feeling and pixie dust here*

What have you been prompted to notice, see, or capture lately?

Words and image courtesy of Guest Blogger Jennifer Hagendorn Dizon. She can found at Instragram as @beautifulnothing, on flickr as Creative Jen or on her blog The Divine in Everything.

aliveness

In the end

you won’t be known

for the things you did

or what you built,

or what you said.

You won’t even be known

for the love given

or the hearts saved,

because in the end you won’t be known.

You won’t be asked, by a vast creator full of light:

What did you do to be known?

You will be asked: Did you know it,

this place, this journey?

What there is to know can’t be written.

Something between crispness of air

And glint in her eye

And texture of the orange peel.

What you’ll want a thousand years from now is this:

A memory that beats like a heart—

A travel memory, of what it was like to walk here,

alive and warm and textured within.

Sweet brightness, aliveness, take-me-now-ness that is life.

You are here to pay attention. That is enough.

-Tara Sophia Mohr

Today, as we continue to savor the moments, we encourage you to pay attention through your lens. Share a thought, a word, an image where you're focused on this  "sweet brightness, aliveness, take-me-now-ness that is life."

...........

In the End is one of the poems featured in Your Other Names, the new book of poetry by Tara Sophia Mohr. She is graciously giving away a copy of her exquisite book today. All you have to do is leave a comment between now and midnight tonight EST (12/5).

For more information about Tara, visit her website. And for more information about her book visit the Your Other Names web page. We'd like to thank Tara for sharing In the End with us here, just as she shared a poem with us almost a year ago. It's always pleasure to have her.

For Light

For Light 

Light cannot see inside things.
That is what the dark is for:
Minding the interior,
Nurturing the draw of growth
Through places where death
In its own way turns into life.

In the glare of neon times,
Let our eyes not be worn
By surfaces that shine
With hunger made attractive.

That our thoughts may be true light,
Finding their way into words
Which have the weight of shadow
To hold the layers of truth.

That we never place our trust
In minds claimed by empty light,
Where one-sided certainties
Are driven by false desire.

When we look into the heart,
May our eyes have the kindness
And reverence of candlelight.

That the searching of our minds
Be equal to the oblique
Crevices and corners where
The mystery continues to dwell,
Glimmering in fugitive light. 

When we are confined inside
The dark house of suffering
That moonlight might find a window.

When we become false and lost
That the severe noon-light
Would cast our shadow clear.

When we love, that dawn-light
Would lighten our feet
Upon the waters.

 As we grow old, that twilight
Would illuminate treasure
In the fields of memory. 

And when we come to search for God,
Let us first be robed in night,
Put on the mind of morning
To feel the rush of light
Spread slowly inside
The color and stillness
Of a found word.

~ John O'Donohue ~

Poem found and image shared by the amazing Myriam Loeschen.