playing with polaroid

A great opportunity popped up London last month - a Polaroid workshop run by Cyrus Mahboubian with the Impossible Project and Rough Trade. My friend Kirstin told me about it and today she's sharing her experience here. The workshop offered a little bit of history of polaroid and what The Impossible Project have been up to the past few years. We looked at other polaroid artists and were shown tips on shooting - like shielding your photo as it pops out, although there was much excitement about recent the launch of the new film, but it wasn't available at the time. Then you get given a pack of film from the Impossible Project as part of the workshop ready for a photowalk. 

20 of us headed out into the glimmering sun and dreamy blue skies, all giddy with excitement and ready to shoot. A photo can be taken at every turn of the Brick Lane area in East London, it's so cool; a mix of bars & restaurants and market stalls, with graffiti and colour everywhere. We took photos of each other and random things found. It really was liberating knowing that we should just play and shoot our 8 frames of instant film, just experiment and learn from each other… and embrace all results, perfect or not, as part of the learning experience. It was fabulous to see what everyone shot; a mini exhibition spread across the cafe table at Rough Trade.

Here are my four favourite polaroids of the day… I'm so excited to shoot more when I'm at Oasis in a couple of weeks with the other polaroid sisters. Yay!

What have you done with your photography lately that's different from your usual routine? Have you played and experimented with something out of your comfort zone? please share with us today.

If you'd like more information about other polaroid workshops in your city, please visit the Impossible Project calendar - there's even another one in London next week. If you can't take part in a workshop, why not gather some other photographers and take a photowalk of your own.

tomorrow

"Which of my photographs is my favorite? The one I'm going to take tomorrow." -Imogen Cunningham

And it's true, it's so totally and completely true. It's what I love most about photography. There are always images for the taking, stories for the telling. No way of knowing what tomorrow holds, what photographs lay waiting. For this reason, I am never without a camera, never ever. Sometimes people think this is funny, sometimes they ask why. Because you never know, I tell them. You just never know. 

Are you this person too? Do you carry a camera with you everywhere you go? Do you wonder what images tomorrow holds? Are you as excited about the potential as I am? Tell us, what photographs do you look forward to taking? What images snuck up on you and took you by surprise?

the decisive moment

"Photography is not like painting. There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The moment! Once you miss it, it is gone forever."  -Henri Cartier Bresson

I was standing on the fourth floor of the High Museum of Art when this moment unfolded. I had one eye on my son in a neighboring room, one eye on my daughter a few steps away. I was fiddling with my scarf, with my braids, fiddling with the contents of my purse, fiddling with my camera. My mind was in a dozen different places but when I looked up, I saw it. The painting, the woman on the bench, the light in between. It was, by very definition, a decisive moment. If I'd hesitated at all, I would have missed it.

Instead, I reached for my SX-70, looked through the viewfinder, adjusted the focus. Steadied my hands and hit that little red button. Two seconds later, the woman walked away. The space filled with people, the light shifted. The whole scene evaporated. The only proof of its existence, this photograph. It doesn't happen like that for me very often but when it does, it's a thrill. Which is why I am always sharpening my brain, training my eyes to see this way, to seek out these moments, these fractions of seconds, whether I have my camera with me or not.

What decisive moments have you captured lately? Please do share a few with us today.

(The image above was shot with a polaroid sx-70 using Impossible Project PX 600 Silver Shade UV+ film)

stories of experimentation

 PX70 Color Shade First Flush

When the folks at the Impossible Project released their first new instant films in 2010, I couldn't resist the urge to embark on a pioneering journey with them. Now, we are not "just" shooting with instant film again, which is in itself alluring enough, but we are shooting with new, amazing films that are still up for experimentation and refinement. In this new pathway, there is surprise, creativity, variety and possibility. I know it can be daunting to work with a medium that is somewhat unstable (and expensive) but there are no wasted shots. Everything counts because we are thinking and learning every time we compose and press the shutter.

Personally, I've had a bit of a hard time shooting with the PX70 First Flush (an earlier release of the now more stable PX70 color shade). But I persisted and I played with different exposures, light sources, intensities, etc. After many shots - a couple of (not wasted) packs - I got the shot you see above. Although it is still developing as I type (it should get less blue as it settles more), I already love it as is. Right now it is the perfect kind of weird for my taste. I love the bluish tones, the painterly feel and even the snake pattern in the lower left corner (my 1 year old model ain't half bad either ;))

What about you?  Impossible film or not, how do you push yourself and your medium? Today, share your shots and stories of experimentation with us.

And remember, we will be giving away one $100 gift card EVERY SINGLE DAY of September to one of YOU! All you have to do is share a comment each day before midnight EST for your chance to win that day's random drawing. Be sure to leave links to your story shots.