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Entries in flash (4)

Tuesday
Nov162010

ready set go!

Laughter bounces in the darkness.
Freeze tag. Karate tag. Skip tag. Jump tag.
Giggles are bouyant bubbles rising up up up then popping in mid-air.
"Tag! You're it!"
This is more than just time well spent in the backyard while dinner simmers.

A guaranteed way I can get this almost six year old infront of the camera is to catch him doing a stunt, then showing him the instant replay and how cool it looks. It's fun to jump, it's fun to catch someone at play, and nighttime can even spark creativity with a seldom used flash. For this shot I used my speedlight SB400. How do you catch action? Share your thoughts on flash photography today in the comments and enjoy the playful side of photography .... light or dark!

Sunday
Jul052009

sunday school: flashdance

shutter speed: 1/5 sec; ISO: 400; aperture: f/5.0 

After years of turning up my nose in the general direction of my flash--built-in and speedlight alike--I've come to a strange realization: I. Love. My. Flash.  There, I've said it.  Why the change of heart, you ask?  I've got four little words for you: slow sync flash mode.  Google it, y'all, and prepare to be amazed at the images you'll find.

So what exactly is slow sync flash?  It's basically dragging the shutter (which Tracey enlightened us about a while back) WITH flash.  In other words, it's using your flash with a slow shutter speed.  I'm sure most of your cameras have a setting for your flash that's either called SLOW (a.k.a. front curtain flash sync) or REAR (a.k.a. rear curtain flash sync).  Both are types of slow sync, the difference being when the flash fires (beginning of exposure for simple slow and at the end of the exposure for rear).  Most cameras will automatically set the shutter speed at 1/60 or faster when you turn your flash on, and that enables you to freeze a specific image blur-free. Setting the flash to one of the slow sync modes, however, changes the shutter speed to something that's usually slower than 1/30th of a second.  Using a slower shutter speed in ADDITION to flash enables you to freeze the image at the point the flash fired with the added bonus of what I call the ghost trail, or the blur of action that occurs during the entire exposure either before or after the flash fired.

The cool thing about slow sync mode is that it looks cool with just your built in camera flash if you don't use a speedlight.  It's great for parties where there's a lot of action such as dancing, especially when there are funky lights that make swirly patterns depending on how you move the camera during the slow shutter exposure.  So the next time you find yourself and your camera at a dimly lit party wishing they would crank the lights so you can get some decent shots, set your flash to slow sync or rear curtain, set your ISO at 200 or below, your aperture at f/4ish or narrower, your shutter at 1/15th of a second or slower, and click away!  Try experimenting with different shutter speeds or by giving the camera a little shake or twist or what have you during the exposure.  Remember to avoid overexposure by adjusting your ISO down or making your aperture narrower if you slow down your shutter speed.

If you happen to try this, please share with us your results.  Or if you've done other funky things with flash or other lights, we want to see those images too!  For more inspiration, take a look at these cool slow sync shots!

Sunday
Aug032008

sunday school: fill-in-the-flash

 

I know that many of us here are natural light shooters who adore super fast prime lenses like the magical 50mm f/1.8 (or f/1.4 if you're lucky).  Let's see the hands of those of us who have raised our noses ever so slightly whenever witnessing someone using their camera's built in flash.  Now let's see the hands of those of us who would much rather embrace the blur than use a flash.  Yeah, I thought so, and my hand is in the air along with many of you. 

Considering that our chosen symbol for the sisterhood is a beautiful big old flash bulb, I've decided to make friends with my flash and to apologize for all those years of neglect and contempt.  And you know what?  I've actually found that our flash (even the built-in camera one) IS our friend, and that if you take the time to figure out its capabilities, you can take better photos.

One situation in which a flash as simple as the one that came with your camera will come in quite handy is when you are shooting in bright glaring sunlight.  Unless you're shooting exclusively in the shade, you will find that many of your shots have harsh shadows.  You can minimize this by using just enough flash to fill in the shadows especially if you are shooting into the sun.  This is a technique called fill flash.

I played around with my aperture, shutter speed and flash compensation to get the photo above with fill flash.  Without the flash, the photo would have looked something like this.  Pretty dull, huh?  For those of you who love shooting into the sun for that pretty sun flare, try using flash next time, especially if you have a person in the foreground with their back to the sun.  Most digital cameras these days have either a fill flash feature or flash compensation feature that allows you to control the brightness of your flash .  You'll probably have to play around with your settings a bit before you get the result you want, but you'll probably find it well worth the effort.  I know I did.

Finding photos taken with flash in the Shutter Sisters Flickr group pool is like pulling teeth, but I did find this one by Angela (angs*photos), this lovely portrait (with the flash stopped down -1.3) by Kathy (work2snap) and this adorable baby shot by Lawyer Mama [Steph].  How about the rest of you?  Have any flash pointers, or images you want to share in which the flash proved to be your friend?

Saturday
Jan122008

January

011208_600.jpg

It's January. If you are lucky enough to live in California, Texas, or any other perpetually warm location you can stop reading right now. I'm mad at you anyway. But, if you live somewhere where you just hear the word January and shiver, keep reading.

How am I supposed to take any mind-blowingly wonderful photographs when it is dark when I leave for work and dark when I get home? Even when the weekend rolls around it is gray and freezing. And I admit I am a bit of a wuss. I don't like being outside when it is 12 degrees and windy. And snowy. And cold, did I mention cold? Inside, I have about 6 square feet of good, natural light in the living room, which doesn't really afford me much freedom.

So if I want to break out the camera I have to keep my eyes peeled for any possibilities (and/or stop being a baby). Hence the above shot of the oranges. They were begging for a little photo session the minute I put them in that bowl. And I was craving some camera time.

I'm thinking my only other options for January are to brave the cold (not likely), use the flash more (no thanks), or book a couple tickets to the Bahamas. I'm thinking I like that last option.

Don't even get me started on February...