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Entries in nature (32)

Wednesday
Jul092008

Beyond the Bloom

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I love a garden in full bloom as much as the next photographer and yet I find myself equally compelled to capture the phases of plant life that are less about the obvious grandeur and more about the subtleties of growth and change; the various stages that celebrate the entire journey of life, from beginning to end.

Flowers in full bloom boast and brag through vibrant color and a round and robust shape, but as they wane they often leave behind curious shapes and textures. Petals soften and slowly let go. Colors change and fade as mysterious curves, curls and creases begin to appear altering the plant into something that can be even more captivating, more poetic than before.

And as flowers in their heyday boldly declare their magnificence to the world, the shrinking bloom speaks in a whisper, to only those that will listen, revealing it’s secret that the muted and understated offer an unmatched and inimitable beauty that deserves to be recognized and held in reverie.

Have you had the privilege of capturing a part of life (of a flower or otherwise) that might have normally been missed if it hadn’t been seen by your lens? Something perhaps less than perfect that murmurs softly of the unseen, proving that the delight of life can indeed be found in the journey. Do share it with us.

Sunday
Jun222008

the good old summertime

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With the summer comes lots of sun, water and sand. The combination doesn’t sound like the best one for photographers. However, the carefree days at the beach or even around the house can make for playful, fun photo moments. When it comes to capturing the best of the best summer moments, the key is photographic experimentation and not being afraid of getting your feet wet.

Shooting into the light is nothing new around here (just check out these shots from bee bee mod, monamegs and and kristybee) but what about when you add water to the mix? My girls were sprinkler hopping the other afternoon and I was having a blast with my camera jumping in and out of the water sprays, clicking pix of my girls as they frolicked in uninhibited summer glee. The sun and the water only added to the magic.

As we kick off the start of summer, share with us some of your wet and wild photo moments (without the topless stuff, ahem).

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And since its Sunday, we’re putting all of the comments posted here into the random drawing for a free copy of America at Home with a custom cover to boot! You have until midnight on Monday to comment.

Congrats to last week’s winner of the book Corey (aka Divrchk)!

Tuesday
Apr012008

the right light

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My entry into photography began with a passion for portraiture; brides, babies, families, and eventually my own children. Because I was shooting soft and subtle subjects, I had to develop an eye for soft and subtle light. Since my photo training didn’t go any further than Photo 101, I had no idea how to use artificial light (aka a flash of any kind) and therefore had to learn how to achieve my desired results using natural light whenever humanly possible. After much trail and error and working at fine tuning my eyes to see the light (I swear I am not trying to be cheesy) I can now say that I’ve got it down.

So, why then did it not occur to me that the same rules can apply when shooting other subjects?

As I have turned my lens to the beauty of natural elements (flowers, trees, found objects) I guess I found myself in a similar light learning curve. As I was figuring out what worked and what didn’t, what I liked and what I didn’t, I wasn’t even falling back on the techniques I had already worked out. It wasn’t until I shot this blooming agapanthus that it clicked. I never tire of that pun. Why did this shot come out so well (with no photo editing needed at all) when other attempts on other days didn’t? The answer was simple. I shot the image in the late hours of the afternoon during the delicate light of dusk. The light was soft and my aperture was wide open (by default I might add as the camera was doing it’s best to gather as much light as it could under the dimming circumstances) which usually creates the perfect alchemy for an exquisite photo of any kind.

As I have taken my new/old lesson to heart, my nature photos have dramatically improved. I’m not saying you need soft light to capture lovely flower pictures. You don’t. But today, I challenge you to try treating your nature photos more like portraits. Schedule a session or two with the blossoms and blooms that are waking with the warmth of Spring. Be mindful of the light and try to flatter your subject as you would a dear friend. Relax and enjoy yourself and watch your nature photography bloom.

Sunday
Mar232008

Easter Sunday

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Wishing you a perfectly lovely holiday.

 

Tuesday
Feb262008

When Art Imitates Life

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Yesterday I posted a photo on my other blog with a few lines describing my recent quandary with a certain four-year-old. Nothing terrible, just terribly trying. I thought it was interesting that many of the comments over there mentioned that my struggle was somewhat evident in my photo, no explanation necessary. It was so nice to feel understood in that way. A picture is sometimes really worth a thousand words--none of them spoken--all just translated intuitively through visual communication. I take great comfort in that—in the power of the capture.

Over the weekend, during a low moment, I stepped outside for a little fresh air therapy when right near my front door these tender leaves caught my eye. Tiny droplets from the previous night’s rain were catching the only glimmer of light offered by the morning diffused with weather. The leaves looked so delicate and sweet. It wasn’t until I pulled the images up on my monitor that I noticed a sadness, as the frail foliage seemed to be weighed down with each drop, weary of the burden. I felt through the image what I felt myself.

So, does all this mean we do truly create photographs that mirror the state we’re in? Do we shoot saddled with our sorrow, or jubilant with joy allowing our intimate vulnerabilities to be exposed through our work? Or, do we instead shoot through our exhaustion and despite our weariness in order to seek some kind of clarity, powerful enough to lift us from our fog? Perhaps it’s all dependent on the very moment we click and what we needed more; to express ourselves or to save ourselves.

If you’ve got a shot that speaks volumes for you, you know we’d love for you to share it.