Everyday Risk
Everyday in my little urban neighborhood, I see things that totally delight me. Huge gangsta-looking guys carrying their babies in Baby Bjorns. Salvadoran women balancing enormous parcels on their heads. Little kids hanging out of their strollers hoping you'll stop and chat. More than anything else, I wake up every morning convinced I have to find a way to capture my neighborhood and celebrate all the ways it hums and sings like magic.
Doing so, however, requires that I photograph people. People I don't always know. I feel silly snapping away like I'm some kind of professional when I've only been doing this for five minutes! Who am I to interrupt someone's day for an informal photo shoot? The internal dialogue goes on and on. So, off I go on my walks, camera in hand, coming home instead with 200 pictures of flowers, produce and the shape of a house against the cool blue sky. You know how it is. :)
Of course, there's nothing wrong with this. But I also know that my very best work as an artist comes when I go straight to the edge of what feels comfortable and dive right into that uneasy, sticky place where I don't know if I'm being brilliant or totally ridiculous. That place where you have no idea if anything will turn out all right, where the only thing left to do is pour your heart out and let yourself play. Outcomes and foolishness be damned.
Yesterday, the Universe decided I must be ready for a little nudge in the taking-pictures-of-people department, because I walked out of the grocery store straight into a parade of people singing and following a float down the street--believe me, this is not an everyday occurrence! I had no idea what called for so much celebration, but it seemed to be religious in nature, and the crowd of maybe a hundred or more danced into the street, obviously happy. If there was ever a moment where it might be totally okay for a bystander to take a picture, this was it.
I held my camera up tentatively, as people swirled around me. Can I do this? Is this really okay? I wondered, feeling a little bit silly. And then the older woman in the picture above made eye contact with me and smiled kindly as if to say "Yes!" Just to be sure, I asked out loud, and then click.
With her help, I did it.
What risks are calling out to you today? It looks different for each one of us, and no one but you can tell which shot really represents your leap into unknown territory. That's the beauty of growing and developing as a photographer--we each do so at our own pace, facing our own unique challenges. Is there a particular thing you've been longing to try, but need a little nudge to do so? Tell us about it in the comments. Do you have a shot that marks a first for something new to you? Leave us a link below. I'd love to know what risks you're taking, as I forge ahead with my own.
Photo and post courtesy of the newest member of the sisterhood Jen Lemen. We're thilled to welcome her as a regular contributor.
Reader Comments (47)
I recently took a risk by starting a photography business specifically for seniors (that is the elderly variety, not high school) and hospice patients. I am really new to photography and have so much to learn, so it felt a bit ridiculous to be starting a photography business....but I saw a need and wanted to fill it. This photo is from my first ever photo session. My first time shooting someone other than my family. It was kind of scary. I know I need much improvement, but they were pleased with the results, and that made the risk worth it.
http://www.flickr.com/photos/muckyyuck/2295025017/
~~
i am so excited about this post and finding http://www.100strangers.com/ through the comments to this post.
it is serendipity.
it feels terrifying and exhilirating at the same time, but you are so right: "my very best work as an artist comes when I go straight to the edge of what feels comfortable and dive right into that uneasy, sticky place where I don't know if I'm being brilliant or totally ridiculous."
i am ready to take a risk.
That's a beautiful picture Jen - so many stories in that face.
Anyway, my photo is not a risk, just a question :)
I thought this photo was fitting - it's a question that runs through my mind constantly...
http://atheart.wordpress.com/2008/03/07/can-you/
It gets easier the more I do it, and I am learning that yep, sometimes the picture will miss the mark. And I am learning that it's okay to miss the mark. The point is to learn and grow - not to stress about always having the perfect picture.
Thank you thank you thank you for this post. The words and the photo speak volumes.
Weddings are one of my photography passions. I was never a romantic or gushy girl when it came to love and intimacy, and because I've struggled with intimate displays of affection (especially in front of people) including my own, I used to shy away from doing the infamous "engagement" photos that tend to come with the territory of photographing weddings.
Alone time, with the eye of the artist fixed on the display of a budding romance of engaged lovers... my initial reaction was once a firm, no thank you. =)
Over this past summer I did a senior session with a young lady who, unbenounced to me, showed up with her long time boyfriend to be included in some of her photographs. Unusually, the three of us were alone in the large park we shot, and much to my surprise, I not only found my place as a photographer of love, but I also found comfort and inspiration, letting go of my inhibitions in acting on my passion for my own husband.
I've since welcomed working with couples, and very much enjoyed capturing their affections and adorations from behind my lens. I think that learning to love that people love each other has been very healing and freeing for me. =)
Thanks for the opportunity to share.
Here is a photograph that I took of a beautiful couple who will be marrying in a couple of short months. I’m proud that they are so pleased to have photographs that capture this special time in their relationship, all thanks to a sneaky senior. =)
http://www.flickr.com/photos/28987938@N00/?saved=1
I'm pushing myself to get away from a cubicle job and make a living doing the things I most love (cooking, gardening & writing). I'm terrified and thrilled at the same time, and having probably too many ideas that I'll need to narrow down and focus. Using my camera to do that really helps in a strange way.
This 100 Strangers Project sounds intriguing.
thank you for this post, jen. you get me thinking!
I'm also apprehensive about taking photos of strangers. But my biggest challenge right now is trusting myself to take photos in manual mode all the time. For so long I've relied on all the automatic settings of my camera. And, I could only get decent shots with the use of a flash. So, now I'm forcing myself to not use a flash (unless absolutely necessary) and to shoot in full manual mode -- no help with automatic settings.
It was extremely frustrating at first -- definitely out of my comfort zone, but I'm slowly starting to get the hang of it. I just wish I was faster at figuring out what settings I need for a given situation. When friends ask me to take photos of them (their kids, etc.), I still shoot some in auto mode just to make sure I get something usable...and then I'll shoot in manual mode and hope to get something great.
Thanks for the inspiration to push myself out of my comfort zone!
This is about as far outside my usual as I get:
http://flickr.com/photos/lawyermama/2248247114/in/set-72157603849298828/
Now...100 strangers???????? I have butterflies!!! Can't wait to check out the site.
Awesome.
I too am shy about taking photos of people. Even of people at my own parties. I feel like such an annoyance going click click click with the camera--and like you said, as if I'm a real photographer or something. That's why most of my photos are of Cadence.
Your photo is breathtaking! Looks like it's straight out of National Geographic.
This inspires me because what I really love doing is street photography, esp. of people, but I just haven't had the guts. I guess it's time to Dismantle some Fear again! Thanks for this post.
xoxo
Love this. Will try to act with more courage when it comes to my art!
My challenge was stopping the car, getting out, and actually asking for permission to tromp around on someone's property to take photographs. I finally did it and got shots I never would have been able to get from sitting behind the steering wheel!
http://flickr.com/photos/verymom/1620366745/in/set-72157594330177528/
http://flickr.com/photos/verymom/1620348131/in/set-72157594330177528/
http://www.flickr.com/photos/14811117@N02/2316309179/
I really dislike photos of myself. I actually asked our wedding photographer to pick out the ones she liked because I just could not discern which ones were worthy of print. Sad, but true. My risk, self-portrait. I see that just about all photographers do this. I'm sure there's some benefit to it.
Here's my risk, may not be much to others, but to me, HUGE.
http://www.flickr.com/photos/lucindasummerville/2316546613/
http://www.flickr.com/photos/akadragonflyphotography/sets/72157604063806520/
Thanks you for these empowering words. They are so needed to me today. Once again, you have provided a balm for my soul.
Thank you!
You asked some questions about leaping into the unknown and taking risks. Well, for the first time I took a photo without using the viewfinder or LCD monitor because the faces of the flowers were close to and facing the ground and I couldn't fit my body AND the camera underneath them.
For the curious, here is the link: http://www.flickr.com/photos/92348589@N00/2322531944/
It's not outstanding in any way other than it's my first time shooting so blindly.
The Lenten Rose is one of my favourite spring flowers that I cannot grow (these were in someone's front garden) and so I was determined to enjoy the blooms beyond today.
Thank you.
Welcome Jen!
beautiful. you have captured something that has always troubled me as a person who loves to take photos. I am incredibly shy and think sometimes I use the camera for protection. I tend to take shots of things and places and not people.
To ask permission or not has always been a struggle for me.
and the result of your first foray into connecting with people in front of the lens is simply a stunning one.
I would love to have a copy of this photograph for my living room or writing room wall.
<a href=http://www.google.com>Nice</a>
<a href=http://www.google.com>Nice</a>
http://www.google.com