The Daily Practice

I've had a lot of cameras in my life but most of them were point-and-shoot. Right before my son was born, I decided I wanted the new Canon digital SLR.  It was really expensive and I had no photography training at all. I loved taking photos but I didn't know anything about aperture, lenses, or even the settings on an SLR. After months of pondering, I decided I was going to get it. I couldn't stop thinking about it and I knew that was a sign.

Right before I bought the camera, my husband and I went to Venice Beach with his 35mm and he taught me the basics: shutter speed, aperture, and ISO. I am a computer programmer, so understanding the technical bits wasn't too hard for me. What I needed to work on is what I call the magic of photography: seeing the light and developing my eye. Over the years, I realized that I was improving but I wasn't consistent and I couldn't tell if my better  photos were due to luck or because I was getting better at photography.

This is when I started the daily practice.

For the last three years, I've been taking photos every single day. Every day. Bar none. Some days it's photos of my children or backyard and other days it's more interesting things like views of San Francisco from the Golden Gate Bridge or the redwood trees. I'll admit that most days it's flowers. I've taken hundreds of photos of flowers. And tens of thousands of photos of my kids. And while the subject matter might be boring to others (and sometimes even for me) it's done much to improve my photography.

The daily practice means that I can notice subtle changes in light better. I take many of my photos in the same area: my house and its vicinity. So, I am quite familiar with it and I can now notice the slight changes in light due to weather, time of day, or other factors. This has helped me figure out how to pay attention to the light. What different types of light does to the photo. It's also meant that I can experiment with different shots at the same light and see what happens.

The daily practice means I can focus on the photography more. I am not just grabbing my camera when I am trying to capture an important moment. When you're trying to "catch" a moment, you don't always have time to play with the settings in your camera. You are focusing on getting the picture, not optimizing the quality of the photo. Whereas, on many days, I am taking my photos during a perfectly ordinary moment. There's no butterfly that's about to fly away. I can slow down and adjust my settings. I can play with the aperture and see the effects of depth of field. I can focus on the photography and not on getting the shot.

The daily practice means I can develop my personal style. I take a lot of photos of my kids. Every night I download these photos and go through them. I notice which shots are technically better than others. But I also notice which shots are more interesting to me. What photo stirs emotions and why. For example, through taking these shots I've discovered that I favor closeups. I like photos where my kids are looking down and there's a hint of a smile or acknowledgment of the photographer but it's not posed.  I favor the right over the left.  Small, subtle differences that make my photos mine. Seeing the pictures night after night helps me notice patterns. Notice changes. Improvements.

I know that the idea of taking photos every day might seem overwhelming and too time-consuming but, like most things, the biggest part is showing up. Just getting up and doing it. Starting the habit of carrying your camera around with you. Choosing a special time in the day to snap the photo. Wherever you are, whatever you're doing. You can do more focused efforts like choosing a month to specifically address aperture and another month to do portraits only, etc. Or you can just snap something everyday and look and learn from what you get each night. The most important part is to just do it. Grab that camera and take photographs. Again and again and again.

Until it becomes a daily practice.

On a much more personal and practical note, the daily practice has also meant that I've captured thousands of our ordinary moments. What makes us who we are and the reality of our daily life. I know that regardless of how great I get at photography, I will cherish this more than all else.

Please share with us one of those ordinary day captures from your own life as we celebrate the daily practice. And if you have any tips, tricks, or insights on keeping up with your own photography practice, let's hear them!

Image and words courtesy of Guest Blogger / Honorary Sister Karen Grunberg of Karenika.

the lighter side of vignetting

Vignetting can be one of the most effective post processing tools there is. It can also be taken too far or used too much. At least that's what I've heard some people say. Like with most things, I chalk it up to a matter of the photographers perspective and prerogative.

I feel that a subtle vignette often enhances my imagery and so in post-processing I'll often try one on for size just to see whether it will be beneficial for the final image. And sometimes I slide it all the way to the opposite side of the spectrum to see what the lighter side of vignetting will offer.

Every once in a while it's exactly what I think the shot needs. In the photograph featured above, the darker vignette revealed the true setting of the shot which was in the pumpkin patch (especially when it was left in color). Once I dialed out the color and added the lighter vignette, the entire image was transformed and the setting felt much more mysterious to me. The white glow that surrounds my subject now could even be construed as a snowy field. That for me is magic as we don't get snow where I live! A few clicks of my mouse and my entire image was transformed. The story changed, mysteries deepened and I have an image I love more than the original SOOC.

Have you ever gone to the lighter side of vignetting. It's not nearly as common or popular as the darker side but if you don't try it, you'll never know if it fits your shot!

Today share your favorite vignette, be it dark or light. We'd love to see (and hear) your take on the art of the vignette.

Lens Love

October. The magical month. It has been a year since my photography took a huge lunge forward, last October. I will love this month forever! and it is all because of two marvelous creatures: the 50mm/f1.4 lens and the 50mm/f2.5 compact macro lens.

I knew I was missing something in my photographs. Something in the way I was able -- or more precisely, not able -- to translate what I was seeing into tangible results. I see details. Little pieces of light or shape or texture that catch my eye and draw me in. but I wasn’t able to convey what I saw.

I saw it in other photographs. In food photography, still life photography, in magazines, on blogs. A serene beauty in having all but the smallest piece of the image softly out of focus. Shapes. Colors. Hints of information. Dreaminess. 

If they can do it, why can’t I do it? What IS it?

You see, I used to be a photojournalist, and the pictures I made were all about spreading information. Not that photojournalists’ photos aren't artistic, they certainly can be. But the widest aperture I used as a photojournalist was f2.8. 

Having put photography aside for many, many years, I returned with fresh perspective, less of a photojournalist's hat on.

One day, it just clicked. Ohhhhhhhh, I need to use an even wider aperture for even shallower depth of field.

So last October, I bought the 50mm/f1.4. Then in June, I bought the 50mm/f2.5 compact macro. And my photography, and therefore my life, hasn’t been the same since.

Now I use these two lenses almost exclusively. I’m still learning what aperture works well depending on the subject, angle, distance from subject, all that. Sometimes I don’t get the focus point where I want, or don’t have enough depth of field. Sometimes I even remember to bracket. But often, I’m able to show what I see in a way that feels right. Finally! And I love that with both of these lenses, there are often stunningly beautiful surprises in the image that I wasn’t able to see through the viewfinder.

It’s true what they say, that it's not the equipment, it's the photographer. But having the right gear can help a photographer express herself and show the world her unique viewpoint, what and how she sees. And we all know how it feels when we express ourselves just as we intended. Magic.

Image and words courtesy of guest blogger/honorary sister Hillary Sloss of Eyechai.

totally random

The more you seek out photo ops, the more you find them. Once you open your eyes to really seeing the world around you, everything you come accross represents inspiration and possibility.

And, chances are, you'll also find a million more random things than you'd ever thought were possible.

Case in point: Exhibit A.

My daughter and I discovered this on our walk. There are no better words perhaps than "so random".

Today, let's see what totally random shots you've captured! You know, the ones that defy any sense or meaning. Humor us!

daring

Sometimes you have to take risks, be bold, do daring. Because...because...it challenges you. It surprises and delights you. It makes you feel alive. Isn't that reason enough?

When you find yourself in a mode of doing all the right things, all the things you are supposed to be doing to go with the status quo, try taking a chance or two. Attempt to push the boundaries. Be assertive. Audacious. Over the top. Express yourself! What have you got to lose? A little excitement never hurt anyone.

In the name of all things bold and beautiful, we are thrilled to be featuring the splashy camera strap covers by Swanky Stitch. And because they know that making a statement is all part of what makes life interesting, they are going to be giving away 3 Swanky Stitch camera straps to 3 lucky shutter sisters. All you have to do is be bold enough to comment here between now and Sunday at midnight EST for your chance to be in the random drawing to win one.

Today, let's celebrate the wow factor! Reveal your daring! Show us what you've got in the name of expressing your wild side!

_____

Congrats to Angie Willis, Stephanie and Diane Schuller for winning Swanky Stich camera staps!