The Daily Practice

I've had a lot of cameras in my life but most of them were point-and-shoot. Right before my son was born, I decided I wanted the new Canon digital SLR.  It was really expensive and I had no photography training at all. I loved taking photos but I didn't know anything about aperture, lenses, or even the settings on an SLR. After months of pondering, I decided I was going to get it. I couldn't stop thinking about it and I knew that was a sign.

Right before I bought the camera, my husband and I went to Venice Beach with his 35mm and he taught me the basics: shutter speed, aperture, and ISO. I am a computer programmer, so understanding the technical bits wasn't too hard for me. What I needed to work on is what I call the magic of photography: seeing the light and developing my eye. Over the years, I realized that I was improving but I wasn't consistent and I couldn't tell if my better  photos were due to luck or because I was getting better at photography.

This is when I started the daily practice.

For the last three years, I've been taking photos every single day. Every day. Bar none. Some days it's photos of my children or backyard and other days it's more interesting things like views of San Francisco from the Golden Gate Bridge or the redwood trees. I'll admit that most days it's flowers. I've taken hundreds of photos of flowers. And tens of thousands of photos of my kids. And while the subject matter might be boring to others (and sometimes even for me) it's done much to improve my photography.

The daily practice means that I can notice subtle changes in light better. I take many of my photos in the same area: my house and its vicinity. So, I am quite familiar with it and I can now notice the slight changes in light due to weather, time of day, or other factors. This has helped me figure out how to pay attention to the light. What different types of light does to the photo. It's also meant that I can experiment with different shots at the same light and see what happens.

The daily practice means I can focus on the photography more. I am not just grabbing my camera when I am trying to capture an important moment. When you're trying to "catch" a moment, you don't always have time to play with the settings in your camera. You are focusing on getting the picture, not optimizing the quality of the photo. Whereas, on many days, I am taking my photos during a perfectly ordinary moment. There's no butterfly that's about to fly away. I can slow down and adjust my settings. I can play with the aperture and see the effects of depth of field. I can focus on the photography and not on getting the shot.

The daily practice means I can develop my personal style. I take a lot of photos of my kids. Every night I download these photos and go through them. I notice which shots are technically better than others. But I also notice which shots are more interesting to me. What photo stirs emotions and why. For example, through taking these shots I've discovered that I favor closeups. I like photos where my kids are looking down and there's a hint of a smile or acknowledgment of the photographer but it's not posed.  I favor the right over the left.  Small, subtle differences that make my photos mine. Seeing the pictures night after night helps me notice patterns. Notice changes. Improvements.

I know that the idea of taking photos every day might seem overwhelming and too time-consuming but, like most things, the biggest part is showing up. Just getting up and doing it. Starting the habit of carrying your camera around with you. Choosing a special time in the day to snap the photo. Wherever you are, whatever you're doing. You can do more focused efforts like choosing a month to specifically address aperture and another month to do portraits only, etc. Or you can just snap something everyday and look and learn from what you get each night. The most important part is to just do it. Grab that camera and take photographs. Again and again and again.

Until it becomes a daily practice.

On a much more personal and practical note, the daily practice has also meant that I've captured thousands of our ordinary moments. What makes us who we are and the reality of our daily life. I know that regardless of how great I get at photography, I will cherish this more than all else.

Please share with us one of those ordinary day captures from your own life as we celebrate the daily practice. And if you have any tips, tricks, or insights on keeping up with your own photography practice, let's hear them!

Image and words courtesy of Guest Blogger / Honorary Sister Karen Grunberg of Karenika.

Different Focus

When I first took this picture, I have to admit that I didn't mean to focus on the flowers. My aim was at the men sitting against the wall, but I missed.  I retook the shot, with the focus being on the men themselves instead of the flowers, but for some reason, I found myself drawn to this version of the shot because there was a more compelling story that was emerging from this image.  Perhaps the inability to identify who these men actually were emphasized the common struggle that we all face these days.

Please share with us today images in which the object of or your choice of focus helped to shape the story you wanted to convey behind your photo.

light and dark

A photograph has the power to pull a story from the nothingness that is light and dark. Certain images can blend well with an overactive imagination, leaving the mind to embellish the details of a story untold. I find this intriguing, and especially true of silhouetted photographs.

There are words out there on how to acheive an interesting silhouette and striking examples of silhouettes, but what I find most curious is how the image makes me feel. What it stirs in my mind. Due to the facelessness, my mind is left a blank canvas on which to dream up a storyline equally as captivating.

What about you? What do you see or feel when you capture a silhouette? Today, try putting your subject between the lens and the light to see what story unfolds.

color blocks

One of my favorite artists is Mark Rothko, who is famous for his colorful, abstract paintings. His work is often made up of blocks of color, softly blended together. They range from dark and moody to bright and airy, but all have the same calming effect on me. I'm often reminded of landscapes when I see his work and vice versa. So it's no surprise that I find myself drawn to photography that mimicks that same idea. If you squint your eyes, the landscape photo above could easily be translated into an color-blocked painting with greens, blues and golds, all coming together somewhat graphically.

Today please share your Rothko-like photographs with us. Who knows, it may inspire us all to get out the paintbrushes and create some color block paintings.

drama

Most days my photography style leans heavily toward color.

But some days a photo will grab me in a way that feels dramatic.  When color is just too much noise and only distracts from what the photo has to say.

Images like these push me out of my comfort zone of softness and color and instead call for the drama that only black and white seems to bring.  

Slices of light and dark, a halo, raw emotion, beauty etched in darkness.

Join me in expressing the darker side today.  Perhaps you love the drama and excel at such processing,  or perhaps you, like i, need a little push into the unknown.  Try your hand at a dramatic sepia or cinematic black and white and share your results with us here.