I have a special affection for film. I love the loading of film into a camera. The careful process of threading 35mm film onto the spokes, the advancing of the pick-up reel. I love when I put a pack of film in my Polaroid camera and close the film door, that it immediately comes to life, clicking and whirring and shooting out the dark slide. Film feels so timeless, so classic to me. There’s simply a magical quality about shooting with film. Because you have a limited number of frames when using film, each click of the shutter is special. And that makes you slow down. Film helps you be thoughtful and selective in what, when, and how you shoot. There is a deliberate-ness that comes with shooting film. For me, I feel a wholly different experience when I am shooting with film compared to when I shoot digitally. When I’m out with my Polaroid cameras or my Canon AE-1, I find the time to be contemplative. Meditative
Along with that meditative process, shooting with film feels like allowing for the imperfect. It’s like saying “yes” to the flaws, to the not-so-spot on composition, to the under- or over-exposure. When I’m shooting with film, I’m not shooting 20 photographs of the same vintage car to get the shot “just so.” I’m taking my time, looking through my viewfinder composing and re-composing. And then when I feel ready, I click the shutter, usually just once. And I hope for the best. Sometimes the photograph is just what I had in my mind’s eye, and sometimes, many times, it’s not. And that’s all right with me. Shooting with film takes practice. And that practice means accepting that imperfections are part of the process. Seeing that those imperfections are okay, that they are what make that very image unique and special. That those imperfections are actually quite perfect just as they are – just like us.
We are works in progress, too. We are the perfect imperfections of being human. Each of us flawed. Maybe a bit off-center. Sometimes over-exposed, like when we feel the harsh spotlight on us. Or maybe we’re more under-exposed, like when we don’t feel seen. As with shooting film, in becoming who we are, we need practice. Practice at being comfortable in our own skin. Practice at speaking up and voicing our needs. Practice at finding our place in the circle. Practice at being who we really are.
Shooting with film is helping me become a better photographer. It’s helping me focus on practice, my one little word for 2012. But more than that, shooting with film is helping me become the truest version of myself.
Do you shoot with film? What does shooting with film feel like for you? Has it taught you any lessons? Please share a photo you shot with film with us today.
Image and words courtesy of guest shutter sister Meghan Davidson, contributor to Film26.